1
00:00:31,965 --> 00:00:34,235
Girl: COME ON SLOWPOKE,
I'LL RACE YOU.

2
00:00:34,268 --> 00:00:36,070
HEY, YOU'RE CHEATIN'!

3
00:01:04,232 --> 00:01:07,568
HA, SO YOU BEAT ME, DO YOU
HAVE TO BE SO SMUG?

4
00:01:07,601 --> 00:01:10,171
I DIDN'T SAY A WORD.

5
00:01:10,204 --> 00:01:13,073
WELL, YOU WERE THINKING IT.

6
00:01:14,542 --> 00:01:16,344
HOW MUCH FURTHER IS IT?

7
00:01:16,377 --> 00:01:19,147
NOT FAR, JUST OVER THAT HILL
WE TAKE A TRAIL THAT CUTS ACROSS

8
00:01:19,180 --> 00:01:21,182
THE HERMIT'S PROPERTY. COME ON.

9
00:01:41,502 --> 00:01:42,770
WHAT'S THE MATTER?

10
00:01:42,803 --> 00:01:44,838
THAT FENCE!

11
00:01:50,711 --> 00:01:54,582
HELLO, MR. STANICK, WHEN DID OL'
TONY FENCE OFF THE TRAIL?

12
00:01:54,615 --> 00:01:57,618
I DON'T KNOW WHEN HE FENCED
IT OFF, BUT I KNOW IT'S NOT

13
00:01:57,651 --> 00:01:59,820
GOING TO STAY THAT WAY.

14
00:01:59,853 --> 00:02:04,858
THAT MAN HAS PUSHED ME JUST
A LITTLE TOO FAR.

15
00:02:05,526 --> 00:02:07,261
[WIRES SNIPPING]
[GUNSHOT]

16
00:02:22,310 --> 00:02:23,744
MARK!

17
00:02:52,806 --> 00:02:55,243
DON'T YOU KNOW ENOUGH TO ASK
A MAN'S PERMISSION WHEN YOU

18
00:02:55,276 --> 00:02:57,478
CROSS HIS LAND?

19
00:02:57,511 --> 00:02:59,380
MY PA ASKED YOU ONCE, YOU...

20
00:02:59,413 --> 00:03:00,714
YOU SAID IT WAS ALL RIGHT.

21
00:03:00,748 --> 00:03:02,850
I DON'T BELIEVE YOU.

22
00:03:02,883 --> 00:03:04,685
WHO IS YOUR PA?

23
00:03:04,718 --> 00:03:07,355
LUCAS McCAIN, AND HE DID SO
ASK YOU.

24
00:03:07,388 --> 00:03:10,524
[GRUNTS]
WELL, LOOKS TO ME LIKE YOU'VE

25
00:03:10,558 --> 00:03:13,961
BEEN RUNNING THESE HORSES,
PROBABLY HARD.

26
00:03:13,994 --> 00:03:17,565
AH, KIDS DON'T KNOW ANYTHING
ABOUT HORSES.T KNOW ANYTHING

27
00:03:17,598 --> 00:03:19,533
MARK AN' I HAVE BEEN RAISED
ON HORSES.

28
00:03:19,567 --> 00:03:21,502
OH, YOU HAVE, HAVE YOU?

29
00:03:21,535 --> 00:03:23,804
WELL, THEN THE FIRST THING YOU
BETTER LEARN IS TO WATER HORSES

30
00:03:23,837 --> 00:03:26,640
WHEN THEY'RE THIRSTY-- YOU KNOW
HOW TO WATER HORSES, DON'T YOU?

31
00:03:26,674 --> 00:03:27,675
YES, SIR.

32
00:03:27,708 --> 00:03:29,843
ALL RIGHT.

33
00:03:29,877 --> 00:03:31,979
YOU COME, COME.

34
00:03:51,932 --> 00:03:56,737
MARK, THIS MAN SCARES ME,
LET'S GO.

35
00:03:56,770 --> 00:04:00,308
I'VE HEARD AN AWFUL LOT ABOUT
HIM, BUT I'M BEGINNIN' TO THINK

36
00:04:00,341 --> 00:04:02,810
HIS BARK IS A LOT WORSE THAN
HIS BITE.

37
00:04:02,843 --> 00:04:04,712
WELL, I DON'T LIKE HIM.

38
00:04:04,745 --> 00:04:05,946
Old Tony: HEY HEY HEY!

39
00:04:05,979 --> 00:04:07,981
YOU DON'T HAVE TO USE IT ALL,
YOU KNOW!

40
00:04:08,015 --> 00:04:09,817
IT'S BEEN A DRY YEAR.

41
00:04:09,850 --> 00:04:10,918
YES, SIR.

42
00:04:10,951 --> 00:04:14,288
THANK YOU VERY MUCH, SIR,
I THINK WE'LL BE GOIN' NOW.

43
00:04:14,322 --> 00:04:18,792
WELL, IS THAT, UH, IS THAT
YOUR, UH, LUNCH IN THERE?

44
00:04:18,826 --> 00:04:21,629
NO, SIR,
THAT'S FOR ARROWHEADS.

45
00:04:21,662 --> 00:04:23,997
WE'RE LOOKING FOR OLD INDIAN
FLINTSTONES.

46
00:04:24,031 --> 00:04:27,801
OHH! NO FOOD, YOU RUN AROUND
ALL DAY LONG IN THE COUNTRY

47
00:04:27,835 --> 00:04:30,638
WITHOUT ANYTHING TO EAT, AND
THEN YOU'LL GO HOME AND YOU'LL

48
00:04:30,671 --> 00:04:33,374
FILL UP ON PIE THAT ISN'T COOLED
YET AND YOUR BELLY ACHE ALL

49
00:04:33,407 --> 00:04:34,742
NIGHT, EH?

50
00:04:34,775 --> 00:04:36,444
WELL, DON'T JUST STAND THERE.

51
00:04:36,477 --> 00:04:41,482
COME ON INTO THE HOUSE,
I'LL FEED YA.

52
00:05:05,138 --> 00:05:07,508
THAT WAS THE BEST MEATLOAF
I'VE EVER EATEN.

53
00:05:07,541 --> 00:05:09,109
SURE WAS, THANKS, MR. TONY.

54
00:05:09,142 --> 00:05:11,679
WELL, I JUST MADE IT THE WAY
MY MAMA USED TO MAKE IT

55
00:05:11,712 --> 00:05:15,383
IN OLD COUNTRY.

56
00:05:15,416 --> 00:05:16,750
I NOTICED THE GUITAR.

57
00:05:16,784 --> 00:05:17,851
DO YOU PLAY IT?

58
00:05:17,885 --> 00:05:20,854
I HAVE NO TIME TO MONKEY
AROUND WITH FOOLISHNESS, BUT

59
00:05:20,888 --> 00:05:24,057
DON'T YOU GO BREAKING THAT, BOY!

60
00:05:25,826 --> 00:05:29,497
I WOULDN'T HARM A MUSICAL
INSTRUMENT, MR. TONY.

61
00:05:29,530 --> 00:05:33,767
A GUITAR IS LIKE A FRIEND OR
A PART OF YOU.

62
00:05:33,801 --> 00:05:34,802
I HAVE ONE OF MY OWN.

63
00:05:34,835 --> 00:05:37,805
WELL, I DIDN'T MEAN TO
HOLLER, JUST THAT IT'S...

64
00:05:37,838 --> 00:05:40,508
IT'S A KEEPSAKE, KIND OF.

65
00:05:40,541 --> 00:05:43,844
DON'T SUPPOSE IT'S GOOD FOR
ANYTHING ANYMORE ANYWAY.

66
00:05:43,877 --> 00:05:45,613
THERE, YOU CAN...

67
00:05:45,646 --> 00:05:48,949
YOU CAN LOOK AT IT
IF YOU WANT TO.

68
00:05:48,982 --> 00:05:51,018
THANK YOU.

69
00:06:03,697 --> 00:06:07,468
[STRUMMING CHORD]
[TUNING STRING]

70
00:06:07,501 --> 00:06:11,872
ANYBODY CAN PICK AN' PLUCK,
BUT GUITAR IS NO GOOD UNLESS YOU

71
00:06:11,905 --> 00:06:13,507
SING TO IT.

72
00:06:13,541 --> 00:06:16,109
ONLY TROUBLE IS,
THERE ARE NO MORE GOOD SONGS.

73
00:06:16,143 --> 00:06:19,179
SONGS ALL HAVE GONE TO RUIN,
LIKE...

74
00:06:19,212 --> 00:06:22,616
LIKE THE REST OF THE WORLD.

75
00:06:22,650 --> 00:06:27,655
THERE USED TO BE GOOD ONES,
PRETTY ONES,

76
00:06:27,755 --> 00:06:30,157
LIKE "GREENSLEEVES."

77
00:06:37,197 --> 00:06:42,402
* ALAS, MY LOVE,
YOU DO ME WRONG

78
00:06:44,037 --> 00:06:49,042
TO CAST ME OFF DISCOURTEOUSLY *
* AND I HAVE LOVED YOU SO LONG

79
00:06:55,749 --> 00:07:00,754
DELIGHTING IN YOUR COMPANY *
* GREENSLEEVES WAS ALL MY JOY

80
00:07:08,496 --> 00:07:13,501
* AND GREENSLEEVES WAS
MY DELIGHT *

81
00:07:14,502 --> 00:07:19,507
* GREENSLEEVES WAS
MY HEART OF GOLD *

82
00:07:19,807 --> 00:07:24,812
* AND WHO BUT MY LADY
GREENSLEEVES *

83
00:07:26,246 --> 00:07:28,949
**
* THE GOWN SHE WORE

84
00:07:33,787 --> 00:07:38,792
LIKE A MAIDEN QUEEN *
* WAS VELVET

85
00:07:39,660 --> 00:07:44,665
LIKE THE SKY ABOVE *
* HER SLEEVES WERE MADE

86
00:07:45,899 --> 00:07:50,904
OF SILKEN GREEN *
* AND SILKEN GREEN

87
00:07:51,705 --> 00:07:54,975
WAS MY LOVE *
* GREENSLEEVES WAS ALL MY JOY

88
00:08:01,081 --> 00:08:06,086
* AND GREENSLEEVES
WAS MY DELIGHT *

89
00:08:07,621 --> 00:08:12,626
* GREENSLEEVES WAS MY
HEART OF GOLD *

90
00:08:13,994 --> 00:08:18,999
* AND WHO BUT MY LADY
GREENSLEEVES **

91
00:08:24,605 --> 00:08:29,610
THAT WAS NICE, BOY,
REAL NICE.

92
00:08:29,943 --> 00:08:34,548
I HAD A SON ONCE ABOUT YOUR AGE,
HE USED TO SING THAT SONG

93
00:08:34,582 --> 00:08:39,587
FOR ME, IN THE EVENINGS.G
THAT WAS HIS GUITAR, YOU KNOW.

94
00:08:41,955 --> 00:08:46,960
IT'S A LONG TIME SINCE I HEARD
MUSIC LIKE THAT.

95
00:08:47,728 --> 00:08:49,930
YOU'RE THE FIRST COMPANY I'VE...

96
00:08:49,963 --> 00:08:51,699
I'VE HAD...

97
00:08:53,233 --> 00:08:56,837
A MAN FEELS LONELY FOR SOMEBODY
TO TALK TO.

98
00:08:56,870 --> 00:09:00,774
PERHAPS THAT'S WHY I HOLLER
SO MUCH...

99
00:09:00,808 --> 00:09:04,177
BECAUSE I HAVE SORT OF FORGOTTEN
WHAT IT'S LIKE TO HEAR THE SOUND

100
00:09:04,211 --> 00:09:05,913
OF A HUMAN VOICE.

101
00:09:07,981 --> 00:09:09,917
WELL, WE BETTER GET GOING
IF WE EXPECT TO FIND

102
00:09:09,950 --> 00:09:11,184
ANY ARROWHEADS.

103
00:09:11,218 --> 00:09:13,253
IT'S A LONG WAYS TO
REDBUD CANYON.

104
00:09:13,286 --> 00:09:15,956
REDBUD, WHY DO YOU WANT
TO GO UP THERE?

105
00:09:15,989 --> 00:09:19,593
THERE IS MUCH MORE INDIAN RELICS
RIGHT HERE IN SYCAMORE CANYON.

106
00:09:19,627 --> 00:09:22,696
OH, BUT THAT'S ON YOUR LAND,
SIR, NOBODY EVER--

107
00:09:22,730 --> 00:09:25,198
WELL, YOU ARE RIGHT, NOBODY
EVER CAN GO ON MY LAND, BUT

108
00:09:25,232 --> 00:09:27,200
I SAID YOU COULD, DIDN'T I?

109
00:09:27,234 --> 00:09:29,870
WELL, NOW, YOU GO ON UP
TO SYCAMORE, HUH?

110
00:09:29,903 --> 00:09:31,605
GOSH, MR. TONY, THANKS.

111
00:09:31,639 --> 00:09:33,874
YEAH, THANKS, WE'LL BRING
BACK SOME ARROWHEADS FOR YOU.

112
00:09:33,907 --> 00:09:35,108
GOOD, YOU DO THAT.

113
00:09:35,142 --> 00:09:37,611
WE SURE WILL, THANKS AGAIN.

114
00:09:37,645 --> 00:09:40,280
YEAH, THANKS. SEE YA.

115
00:09:40,914 --> 00:09:43,851
[DOOR CLOSES]
MICAH?

116
00:10:12,312 --> 00:10:14,815
WELL, LUCAS BOY, JUST IN TIME
TO JOIN ME FOR A CUP OF COFFEE.

117
00:10:14,848 --> 00:10:16,917
I'LL HAVE HALF A CUP, MICAH.

118
00:10:16,950 --> 00:10:18,652
DON'T YOU THINK IT'S ABOUT TIME
YOU INVESTED IN

119
00:10:18,686 --> 00:10:19,653
A NEW COFFEE POT?

120
00:10:19,687 --> 00:10:21,722
THE BOTTOM IS JUST ABOUT
BURNED OUT OF THAT ONE.

121
00:10:21,755 --> 00:10:24,057
I DON'T KNOW, IT'S GOOD FOR
A YEAR OR TWO YET, AND DON'T GO

122
00:10:24,091 --> 00:10:25,425
SPENDING MY MONEY.

123
00:10:25,458 --> 00:10:26,459
WHAT ARE YOU DOIN' IN TOWN?

124
00:10:26,493 --> 00:10:28,395
HAVING SUPPER AT THE HOTEL
WITH MARK AND LORRIE,

125
00:10:28,428 --> 00:10:29,797
IF THEY EVER GET HERE.

126
00:10:29,830 --> 00:10:32,900
THEY SHOULD HAVE BEEN BY NOW.

127
00:10:32,933 --> 00:10:34,802
I DEMAND YOU DO SOMETHING.

128
00:10:34,835 --> 00:10:35,869
WHAT'S EATIN' YOU, JOE?

129
00:10:35,903 --> 00:10:38,305
YOU LOOK LIKE YOU RAN INTO
A HERD OF WILD COMANCHES.

130
00:10:38,338 --> 00:10:42,710
IT'S THAT TONY, TOLD YOU 500
TIMES HE OUGHT TO BE PUT AWAY.

131
00:10:42,743 --> 00:10:44,912
YOU AND TONY LOCK HORNS
AGAIN, IS THAT IT, JOE?

132
00:10:44,945 --> 00:10:47,080
EVER SINCE WE CAME OVER ON
THE BOAT TOGETHER, I'VE

133
00:10:47,114 --> 00:10:48,181
LISTENED TO HIS INSULTS.

134
00:10:48,215 --> 00:10:50,818
NOW, NOW, JOE, CALM DOWN,
EVERYBODY KNOWS YOU AND TONY

135
00:10:50,851 --> 00:10:52,720
ARE FEUDING AGAIN, BUT NOBODY
KNOWS ABOUT WHAT.

136
00:10:52,753 --> 00:10:54,187
I DOUBT IF YOU DO.

137
00:10:54,221 --> 00:10:56,156
WHAT'S THE COMPLAINT THIS TIME?

138
00:10:56,189 --> 00:10:58,458
HE TOOK A SHOT AT ME,
THAT'S WHAT.

139
00:10:58,491 --> 00:10:59,659
HE TRIED TO KILL ME.

140
00:10:59,693 --> 00:11:02,730
NOW, WAIT A MINUTE, JOE, I'LL
ADMIT TONY IS AN ODD ONE, BUT

141
00:11:02,763 --> 00:11:05,332
TRYING TO KILL SOMEBODY--
WELL, WHY DON'T YOU ASK YOUR

142
00:11:05,365 --> 00:11:08,435
OWN BOY, HE WAS THERE, HE AND
THAT LORRIE.

143
00:11:08,468 --> 00:11:10,003
OH, WHERE ARE THEY NOW?

144
00:11:10,037 --> 00:11:12,840
I DON'T KNOW, I WANTED THEM
TO COME ALONG.

145
00:11:12,873 --> 00:11:14,474
MAYBE THEY WENT BACK
TO THE RANCH.

146
00:11:14,507 --> 00:11:16,376
WELL, I DOUBT IT, THEY WERE
SUPPOSED TO MEET ME HERE.

147
00:11:16,409 --> 00:11:18,245
I WAS SURE THEY WERE RIGHT
BEHIND ME.

148
00:11:18,278 --> 00:11:20,447
JOE, ARE YOU SURE THAT TONY
TOOK A SHOT AT YOU?

149
00:11:20,480 --> 00:11:24,151
NOW, I'M NOT A MAN WHO
JOKES MUCH, YOU KNOW THAT.

150
00:11:24,184 --> 00:11:26,486
WHEN I TELL YOU HE SHOT AT ME,
HE SHOT AT ME.

151
00:11:26,519 --> 00:11:28,922
MAYBE I BETTER GO OUT THERE
AND SEE WHAT THIS IS ALL ABOUT.

152
00:11:28,956 --> 00:11:33,961
I THINK I'LL RIDE ALONG WITH
YOU, MICAH.

153
00:11:36,764 --> 00:11:37,831
THAT'S FUNNY.

154
00:11:37,865 --> 00:11:40,801
I FOUND THOSE TWO RIGHT
TOGETHER, AND NOW I'VE LOOKED

155
00:11:40,834 --> 00:11:42,836
FOR AN HOUR.

156
00:11:44,972 --> 00:11:46,940
MARK?

157
00:11:53,213 --> 00:11:56,349
WELL, I MUST SAY YOU LOOK
COMFORTABLE.

158
00:11:56,383 --> 00:11:57,317
I AM.

159
00:11:57,350 --> 00:12:00,253
AREN'T YOU GONNA LOOK FOR
ARROWHEADS ANYMORE?

160
00:12:00,287 --> 00:12:01,789
IN A LITTLE WHILE.

161
00:12:07,895 --> 00:12:10,898
WHAT'RE YOU THINKING ABOUT?

162
00:12:10,931 --> 00:12:15,869
ABOUT OLD TONY AND HOW
LONESOME HE MUST REALLY BE.

163
00:12:15,903 --> 00:12:18,038
YEAH, I WAS THINKING IT TOO.

164
00:12:19,006 --> 00:12:22,175
I WONDER WHAT HIS WIFE WAS LIKE.

165
00:12:22,209 --> 00:12:25,779
MARK?

166
00:12:25,813 --> 00:12:27,247
HUH?

167
00:12:27,280 --> 00:12:29,983
DO YOU EVER WONDER WHAT YOUR
WIFE WILL BE LIKE?

168
00:12:30,017 --> 00:12:32,019
I MEAN, WHEN YOU GET MARRIED.

169
00:12:32,052 --> 00:12:34,021
I SUPPOSE SO.

170
00:12:34,054 --> 00:12:37,925
WELL, WHAT WOULD SHE BE LIKE?

171
00:12:37,958 --> 00:12:39,927
REAL PRETTY, AN' A GOOD COOK.

172
00:12:39,960 --> 00:12:43,330
OH, MARK, CAN'T YOU EVER BE
SERIOUS?

173
00:12:43,363 --> 00:12:46,366
DO YOU THINK THAT'S ALL
THERE IS TO MARRIAGE?

174
00:12:46,399 --> 00:12:48,168
NO, NOT REALLY.

175
00:12:48,201 --> 00:12:52,105
THERE IS A LOT MORE.

176
00:12:52,139 --> 00:12:55,375
LIKE WHAT?

177
00:12:55,408 --> 00:12:59,012
WELL, PA AND I WAS TALKING
ABOUT IT ONCE.

178
00:12:59,046 --> 00:13:02,415
HE WAS TALKING ABOUT MY MOTHER.

179
00:13:02,449 --> 00:13:05,418
I'LL NEVER FORGET A THING
HE SAID.

180
00:13:05,452 --> 00:13:10,257
HE SAID THAT THEY WERE MORE THAN
JUST IN LOVE, THEY WERE FRIENDS.

181
00:13:10,290 --> 00:13:13,026
I DON'T THINK I UNDERSTAND.

182
00:13:13,060 --> 00:13:15,963
WELL, HE MEANT THAT, THAT SHE
WAS SOMEONE HE COULD... HE COULD

183
00:13:15,996 --> 00:13:21,001
TALK TO, ABOUT HIS TROUBLES
AN'... ABOUT ANYTHIN'.

184
00:13:22,435 --> 00:13:25,272
LIKE US, MARK?

185
00:13:25,305 --> 00:13:30,310
SURE LIKE US, WE'RE FRIENDS
AN' WE CAN TALK--

186
00:13:37,184 --> 00:13:42,189
UH, BETTER GO LOOK FOR THOSE
ARROWHEADS, IF YOU PLAN ON

187
00:13:42,389 --> 00:13:47,394
GETTIN' ANY, AND DON'T GO TOO
FAR AND GET YOURSELF LOST.

188
00:13:48,095 --> 00:13:53,100
MARK McCAIN, WILL YOU QUIT
TREATING ME LIKE A LITTLE GIRL!

189
00:14:04,477 --> 00:14:06,113
[SIGHS]
RIGHT THERE IS WHERE IT

190
00:14:22,095 --> 00:14:24,965
HAPPENED, I WAS STANDING THERE,
NOT DOING A THING.

191
00:14:24,998 --> 00:14:26,399
[GUNSHOTS]
THAT'S FAR ENOUGH ALL OF YOU.

192
00:14:31,604 --> 00:14:33,473
TAKE IT EASY, JOE.

193
00:14:33,506 --> 00:14:35,342
TONY, LISTEN TO ME.

194
00:14:35,375 --> 00:14:36,543
Tony: WHAT DO YOU WANT?

195
00:14:36,576 --> 00:14:38,145
I WANNA TALK TO YOU.

196
00:14:38,178 --> 00:14:40,413
I'M NOT TALKING
TO JOE STANICK!

197
00:14:40,447 --> 00:14:44,051
FOR 30 YEARS I'VE TRIED TALKING
TO HIM, DIDN'T DO ANY GOOD.

198
00:14:44,084 --> 00:14:45,285
WON'T DO ANY GOOD NOW.

199
00:14:45,318 --> 00:14:47,687
SEE, I TOLD YOU, DIDN'T I?

200
00:14:47,720 --> 00:14:49,689
NO USE TRYING TO REASON
WITH HIM.

201
00:14:49,722 --> 00:14:52,225
TONY, I JUST WANNA TALK TO
YOU ABOUT A COUPLE OF CHILDREN,

202
00:14:52,259 --> 00:14:54,061
MY SON MARK AN' A YOUNG GIRL.

203
00:14:54,094 --> 00:14:59,099
MR. McCAIN, YOU AND MARSHAL
CAN COME UP IF YOU WANT TO.

204
00:14:59,532 --> 00:15:04,537
BUT IF JOE STANICK PUTS ONE FOOT
ON MY LAND, I'LL START SHOOTING!

205
00:15:05,438 --> 00:15:08,241
JOE, YOU STAY PUT, LUCAS AN'
I ARE GOING UP.

206
00:15:08,275 --> 00:15:11,011
AN' IF YOU START ANYTHING WITH
THAT RIFLE, TONY WON'T BE THE

207
00:15:11,044 --> 00:15:13,446
ONLY ONE GIVING YOU A BAD TIME.

208
00:15:16,149 --> 00:15:18,618
ALL I WANNA KNOW, TONY, IS
WHERE MARK AND LORRIE WENT WHEN

209
00:15:18,651 --> 00:15:19,586
THEY LEFT HERE.

210
00:15:19,619 --> 00:15:22,022
Joe: QUIT TRYING TO REASON
WITH THE OLD FOOL.

211
00:15:22,055 --> 00:15:24,591
YOU'RE THE LAW, MARSHAL,
TAKE HIM IN.

212
00:15:24,624 --> 00:15:27,094
I TOLD YOU HE SHOT AT ME,
DIDN'T I?

213
00:15:27,127 --> 00:15:30,130
I DID NOT SHOOT AT YOU,
I SHOT STRAIGHT UP IN THE AIR,

214
00:15:30,163 --> 00:15:33,066
YOU RUN LIKE OSTRICH,
YOU ALWAYS BEEN COWARD,

215
00:15:33,100 --> 00:15:34,167
EVEN IN OLD COUNTRY.

216
00:15:34,201 --> 00:15:37,137
YOU OUGHT TO BE LOCKED UP,
SOMEBODY COULD LOOK AFTER

217
00:15:37,170 --> 00:15:39,339
YOU, LIKE YOUR COUSIN RUDOLF.

218
00:15:39,372 --> 00:15:42,475
I CAN LOOK AFTER MYSELF A LOT
BETTER THAN YOU LOOK AFTER THOSE

219
00:15:42,509 --> 00:15:43,610
COWS OF YOURS!

220
00:15:43,643 --> 00:15:45,445
THEY HAVE BEEN
IN MY GARDEN AGAIN!

221
00:15:45,478 --> 00:15:47,214
THEN YOU DROVE THEM THERE!

222
00:15:47,247 --> 00:15:49,149
PROBABLY FIGURED
ON BUTCHERING ONE.

223
00:15:49,182 --> 00:15:50,717
NOBODY CALLS ME COW THIEF.

224
00:15:50,750 --> 00:15:53,220
NOW, TONY, PUT DOWN THAT
SHOTGUN-- NOW, LOOK, JOE!

225
00:15:53,253 --> 00:15:55,188
YOU EITHER SHUT YOUR MOUTH
OR GET OUT OF HERE.

226
00:15:55,222 --> 00:15:57,124
WHY DON'T YOU SEND
HIM BACK TO TOWN, MICAH?

227
00:15:57,157 --> 00:15:58,658
WE'RE NOT GONNA GET ANYWHERE
THIS WAY.

228
00:15:58,691 --> 00:16:01,361
THAT'S THE FIRST SENSIBLE
THING I'VE HEARD SO FAR.

229
00:16:01,394 --> 00:16:03,230
JOE, YOU'VE MADE YOUR
COMPLAINT AND I'M LOOKING

230
00:16:03,263 --> 00:16:04,131
INTO IT.

231
00:16:04,164 --> 00:16:05,732
NOW GET OUT OF HERE
AND LET ME HANDLE IT.

232
00:16:05,765 --> 00:16:09,569
I'LL GET OUT, BUT IF YOU
DON'T SEE TO IT THAT OLD FOOL'S

233
00:16:09,602 --> 00:16:13,140
PUT AWAY WHERE HE CAN'T HARM
ANYONE, I'LL GO STRAIGHT TO

234
00:16:13,173 --> 00:16:15,242
THE GOVERNOR.

235
00:16:18,711 --> 00:16:23,716
WELL, NOW, LET'S SEE IF WE
CAN MAKE SOME SENSE.

236
00:17:01,154 --> 00:17:03,423
HELP! MARK!

237
00:17:03,456 --> 00:17:05,325
MARK! HELP!

238
00:17:20,840 --> 00:17:26,045
COME ON, LORRIE, IT'S TIME WE
GET STARTED BACK.

239
00:17:30,483 --> 00:17:33,320
DO YOU HEAR ME? COME ON.

240
00:17:36,856 --> 00:17:40,493
ALL RIGHT, IF YOU'RE HIDIN',
I GIVE UP, COME ON.

241
00:17:40,527 --> 00:17:42,195
MARK!

242
00:17:45,432 --> 00:17:48,135
LORRIE?

243
00:17:48,168 --> 00:17:49,636
LORRIE!

244
00:17:50,737 --> 00:17:52,772
LORRIE, YOU ALL RIGHT?

245
00:17:54,141 --> 00:17:56,409
WHEN THE THREE OF YOU COME
BREAKING IN HERE,

246
00:17:56,443 --> 00:17:59,412
GUNS ALL OVER YOU, WHAT'S A MAN
EXPECTED TO DO?

247
00:17:59,446 --> 00:18:02,749
A MAN GOT THE RIGHT TO PROTECT
HIS PROPERTY, DOESN'T HE?

248
00:18:02,782 --> 00:18:04,617
OR DO YOU TELL ME THAT...

249
00:18:04,651 --> 00:18:06,519
THAT THE LAW ONLY WORKS FOR...

250
00:18:06,553 --> 00:18:07,654
FOR JOE STANICK?

251
00:18:07,687 --> 00:18:09,889
THE LAW IS AVAILABLE TO YOU
IF YOU WANNA USE IT, SAME AS

252
00:18:09,922 --> 00:18:12,325
ANYBODY ELSE, BUT YOU KEEP
HIDING OUT UP HERE--

253
00:18:12,359 --> 00:18:15,295
IT'S MY RIGHT TO LIVE ALONE
IF I WANT TO!

254
00:18:15,328 --> 00:18:18,498
THERE IS NOTHING FOR ME OUT
THERE, NEVER HAS BEEN, NOT SINCE

255
00:18:18,531 --> 00:18:20,233
MY WIFE DIED.

256
00:18:20,267 --> 00:18:22,835
WELL, I LOST MY WIFE TOO,
TONY, QUITE A WHILE AGO.

257
00:18:22,869 --> 00:18:25,638
I DIDN'T LIKE IT EITHER, BUT THE
WORLD KEPT RIGHT ON TURNING.

258
00:18:25,672 --> 00:18:27,774
IT IS EASY FOR YOU TO SAY.

259
00:18:27,807 --> 00:18:31,544
YOU HAD SON TO LOOK AFTER AND
LOVE-- WELL, I DID TOO,

260
00:18:31,578 --> 00:18:33,513
AT FIRST, BUT, NO MORE.

261
00:18:33,546 --> 00:18:35,315
NOW I LOST SON TOO.

262
00:18:35,348 --> 00:18:37,584
WELL, MAYBE YOU CAN
UNDERSTAND WHY I MIGHT BE

263
00:18:37,617 --> 00:18:38,851
A LITTLE WORRIED ABOUT MINE.

264
00:18:38,885 --> 00:18:41,154
YES, I CAN UNDERSTAND THAT.

265
00:18:41,188 --> 00:18:43,856
YOU SEE, I WAS JUST STARTING OUT
AFTER THEM WHEN YOU CAME IN.

266
00:18:43,890 --> 00:18:46,426
MAYBE THAT'S WHY I LOST MY HEAD
SORT OF.

267
00:18:46,459 --> 00:18:48,695
MAYBE THAT'S WHY I GOT TO
FEELING IF ANYTHING SHOULD

268
00:18:48,728 --> 00:18:50,597
HAPPEN TO THE TWO KIDS,
IT WAS MY FAULT.

269
00:18:50,630 --> 00:18:53,300
IT WAS I WHO SENT THEM
INTO SYCAMORE CANYON.

270
00:18:53,333 --> 00:18:55,302
SUPPOSE THEY WENT BEYOND THE
CANYON? OVER INTO THE SWAMP?

271
00:18:55,335 --> 00:18:57,170
THAT PLACE IS FULL
OF QUICKSAND.

272
00:18:57,204 --> 00:18:58,738
MARK HAS BETTER SENSE THAN
THAT, MICAH.

273
00:18:58,771 --> 00:19:01,174
THERE IS NO NEED FOR THEM
TO GO BEYOND IT-- THE INDIAN

274
00:19:01,208 --> 00:19:03,210
BURIAL GROUND IS AT THIS END.

275
00:19:03,243 --> 00:19:05,378
I JUST WANT TO HELP NOW,
MR. McCAIN, THAT'S ALL.

276
00:19:05,412 --> 00:19:06,579
I JUST WANT TO HELP.

277
00:19:06,613 --> 00:19:07,947
THE MAIN THING NOW IS FOR US
TO GET OVER THERE AND LOOK FOR

278
00:19:07,980 --> 00:19:09,716
THEM-- LET'S GO.

279
00:19:13,286 --> 00:19:15,288
LORRIE, WHERE ARE YOU?

280
00:19:22,562 --> 00:19:25,932
Lorrie: HELP! HELP!

281
00:19:25,965 --> 00:19:28,568
LORRIE, I CAN HEAR YA!

282
00:19:28,601 --> 00:19:30,837
JUS' KEEP ON YELLIN'!

283
00:19:30,870 --> 00:19:34,807
HELP! MARK! MARK, HELP!

284
00:19:38,978 --> 00:19:40,513
HELP!

285
00:19:45,618 --> 00:19:48,388
LORRIE!

286
00:19:48,421 --> 00:19:49,689
LORRIE!

287
00:19:49,722 --> 00:19:53,493
HELP! MARK!

288
00:19:53,526 --> 00:19:54,727
MARK!

289
00:20:08,040 --> 00:20:09,842
MARK?

290
00:20:17,850 --> 00:20:19,486
MARK!

291
00:20:26,559 --> 00:20:28,428
HEY, THEY DUG
FOR FLINTS HERE.

292
00:20:28,461 --> 00:20:29,729
NO BETTER PLACE FOR ARROWHEADS.

293
00:20:29,762 --> 00:20:31,664
NEVER MIND THAT,
LOOK AT THIS.

294
00:20:31,698 --> 00:20:32,832
WHAT IS IT?

295
00:20:32,865 --> 00:20:34,267
WELL, LORRIE MUST HAVE WALKED
ON AHEAD AND MARK FOLLOWED.

296
00:20:34,301 --> 00:20:35,835
THERE'S HER PRINTS AND
THERE ARE HIS.

297
00:20:35,868 --> 00:20:37,670
THEY COULD HAVE CUT THROUGH
THE GORGE AND COME OUT BY

298
00:20:37,704 --> 00:20:38,805
REDBUD CANYON.

299
00:20:38,838 --> 00:20:40,873
THE BEST THING WE CAN DO IS
SPLIT UP AND CIRCLE AROUND.

300
00:20:40,907 --> 00:20:41,641
WE CAN MEET BACK HERE.

301
00:20:41,674 --> 00:20:43,543
ONE OF US HAS GOTTA BUMP
INTO 'EM.

302
00:20:43,576 --> 00:20:44,744
I'LL CUT THROUGH HERE.

303
00:20:44,777 --> 00:20:46,546
I'M JUST AN OLD FOOL.

304
00:20:47,414 --> 00:20:50,817
MARK!

305
00:20:50,850 --> 00:20:52,819
HELP!

306
00:20:52,852 --> 00:20:54,321
MARK!

307
00:20:54,354 --> 00:20:57,056
THERE YOU ARE, LORRIE!

308
00:20:57,089 --> 00:20:58,525
DON'T MOVE, OVER HERE, GIVE...

309
00:20:58,558 --> 00:21:00,293
GIVE ME YOUR HAND,
I'LL PULL YOU OUT.

310
00:21:00,327 --> 00:21:01,528
GIVE ME YOUR HAND, HERE!

311
00:21:01,561 --> 00:21:03,763
JUST DON'T MOVE, GIVE IT TO ME!

312
00:21:06,466 --> 00:21:08,401
DON'T YOU PULL, LET ME PULL.

313
00:21:14,441 --> 00:21:16,509
Mark: HELP! HELP!

314
00:21:23,450 --> 00:21:25,352
IT'LL BE DARK
IN ANOTHER HOUR.

315
00:21:25,385 --> 00:21:27,554
THERE'S A DOZEN CANYONS THOSE
KIDS COULD HAVE WANDERED INTO

316
00:21:27,587 --> 00:21:28,688
AN' BE ALL RIGHT.

317
00:21:28,721 --> 00:21:30,523
YEAH, I CAN'T BELIEVE MARK
WOULD GET LOST, NOT IN THIS

318
00:21:30,557 --> 00:21:31,624
COUNTRY.

319
00:21:31,658 --> 00:21:33,493
OR MAYBE HE GOT HURT, AND THE
GIRL HAS GONE FOR HELP.

320
00:21:33,526 --> 00:21:35,462
DO YOU THINK THERE IS ANY
POSSIBILITY I HAVEN'T THOUGHT

321
00:21:35,495 --> 00:21:36,496
ABOUT?

322
00:21:36,529 --> 00:21:37,630
WELL, WHAT DO WE DO?

323
00:21:37,664 --> 00:21:38,831
WELL, KEEP LOOKING, MICAH.

324
00:21:38,865 --> 00:21:40,433
Lorrie: HELP!

325
00:21:40,467 --> 00:21:42,034
Mark: HELP, SOMEBODY.

326
00:21:42,068 --> 00:21:43,770
HELP!

327
00:21:43,803 --> 00:21:44,737
DON'T STRUGGLE!

328
00:21:44,771 --> 00:21:45,638
DON'T STRUGGLE!

329
00:21:45,672 --> 00:21:47,840
HELP, HELP!

330
00:21:49,709 --> 00:21:51,010
MARK!

331
00:21:52,111 --> 00:21:53,813
TAKE IT EASY.

332
00:21:57,717 --> 00:21:59,386
MARK!

333
00:22:04,791 --> 00:22:06,659
IN THE SWAMP, I FOUND THEM!

334
00:22:06,693 --> 00:22:07,894
QUICKSAND!

335
00:22:07,927 --> 00:22:10,329
YOU BEST LEAVE YOUR HORSE HERE.

336
00:22:12,098 --> 00:22:13,966
HELP! OVER HERE!

337
00:22:20,640 --> 00:22:22,675
Mark: HELP! HELP!

338
00:22:27,747 --> 00:22:28,948
HELP!

339
00:22:28,981 --> 00:22:31,584
DO-- DON'T MOVE,
JUST STAY STILL.

340
00:22:31,618 --> 00:22:32,852
HELP!

341
00:22:32,885 --> 00:22:34,687
Lucas: LORRIE, BE STILL!

342
00:22:34,721 --> 00:22:36,022
DON'T MOVE!

343
00:22:36,055 --> 00:22:37,957
IT'S ALL RIGHT, MY PA'S HERE.

344
00:22:37,990 --> 00:22:39,058
HELP!

345
00:22:39,091 --> 00:22:40,092
PA, HURRY UP.

346
00:22:40,126 --> 00:22:41,594
BE STILL, KIDS.

347
00:22:41,628 --> 00:22:42,562
PA, HURRY.

348
00:22:42,595 --> 00:22:43,996
DON'T MOVE!

349
00:22:48,935 --> 00:22:49,869
HURRY, PA.

350
00:22:49,902 --> 00:22:51,738
BE STILL, SON.

351
00:22:57,076 --> 00:22:59,612
PA, WE'RE GOING DOWN.

352
00:22:59,646 --> 00:23:02,014
HOLD ONTO LORRIE, MARK.

353
00:23:12,024 --> 00:23:13,760
PA...

354
00:23:13,793 --> 00:23:16,929
I SURE AM GLAD TO SEE YOU.

355
00:23:16,963 --> 00:23:19,065
ME TOO, SON...

356
00:23:19,098 --> 00:23:21,033
ME TOO.

357
00:23:37,049 --> 00:23:39,652
JUST BECAUSE I SAY THERE'S NO
CHARGE AGAINST YOU THIS TIME,

358
00:23:39,686 --> 00:23:42,088
DOESN'T ME YOU GO ROUND WAVING
A SHOTGUN ANYTIME THE NOTION

359
00:23:42,121 --> 00:23:43,189
STRIKES YOU.

360
00:23:43,222 --> 00:23:46,058
NOW, I'LL ADMIT JOE STANICK IS
HARD TO GET ALONG WITH,

361
00:23:46,092 --> 00:23:48,595
BUT THEN, SO ARE YOU.

362
00:23:48,628 --> 00:23:51,130
MAYBE IF YOU TWO OLD GOATS
WOULD QUIT BUTTIN' YOUR HEADS

363
00:23:51,163 --> 00:23:53,132
TOGETHER--
I GUESS I HAVE BEEN ALONE TOO

364
00:23:53,165 --> 00:23:55,868
LONG, I'VE FORGOTTEN HOW TO GET
ALONG WITH PEOPLE.

365
00:23:55,902 --> 00:23:58,505
NOW, YOU MADE A GOOD START,
TOWARD REMEMBERING TODAY, TONY.

366
00:23:58,538 --> 00:24:02,975
AH, KIDS GETTING IN TROUBLE,
TRACKING MUD ALL OVER THE HOUSE,

367
00:24:03,009 --> 00:24:05,044
FINE THING THEY DIDN'T EVEN
REMEMBER TO BRING ME THE FLINTS

368
00:24:05,077 --> 00:24:06,212
THEY PROMISED ME.

369
00:24:06,245 --> 00:24:08,915
I LOST ALL THE GOOD ONES IN
THE SWAMP, BUT WE'LL COME BACK

370
00:24:08,948 --> 00:24:10,883
AGAIN, WON'T WE, MARK?

371
00:24:10,917 --> 00:24:14,253
HA, SO YOU GO AND COME BACK
TO SEE ME, EH? HA HA!

372
00:24:14,286 --> 00:24:16,155
I DIDN'T EVEN ASK YA.

373
00:24:16,188 --> 00:24:18,691
NEXT THING YOU KNOW, THEY'LL BE
WANTING ME TO TAKE 'EM TO THE

374
00:24:18,725 --> 00:24:20,793
FANCY HOTEL AND BUY 'EM SUPPER.

375
00:24:20,827 --> 00:24:23,496
WHEN THAT TIME COMES, TONY,
THE SUPPER IS GONNA BE ON ME,

376
00:24:23,530 --> 00:24:25,698
AND I HOPE IT'LL BE SOON.

377
00:24:25,932 --> 00:24:29,168
Old Tony: HEY, WHAT ARE YOU
SITTING THERE FOR?

378
00:24:29,201 --> 00:24:31,738
YOU SAID YOURSELF THE GUITAR
NEEDED TUNING.

379
00:24:31,771 --> 00:24:33,673
WELL GO AHEAD, TUNE HER UP!

380
00:24:33,706 --> 00:24:36,776
[ALL LAUGHING]